The Diviners, OR, why Libba Bray is awesome

Libba Bray is astonishing. With the exception of her Gemma Doyle trilogy, her other books have been standalones that span all genres. Going Bovine, the only book I know of that combines mad cow disease and Don Quixote, won the Printz Award several years ago. And now, she writes her latest novel The Diviners.


It's the era of Prohibition and flappers, Ziegfeld girls and speakeasys. After a faux pas at home in Ohio, bubbly, "everything's jake" Evie O'Neill has arrived in New York to stay with her uncle Will. Will curates the Museum of American Folklore, Superstition, and the Occult. When a peculiar murder with apparent occult ties occurs, the police call upon Will to help solve the crime. And that's where the easy explanation ends.

Evie helps her uncle untangle the complicated threads of a story tying together religion, the occult, and a sacred covenant made years before. At the same time, we learn about other characters on the fringes of Evie's story: Memphis, a numbers runner; Jericho, Will's assistant at the museum; Theta, a Ziegfeld girl; and Sam, a petty thief. As Evie's story continues, it is clear that all these characters have ties with something bigger than themselves. The something is a looming thing of nightmares and evil

I can't even elaborate on this story anymore without serious spoilers, and I can't fully explain the "something." The ARC that I got at BookExpo is 578 pages, and this is the first in a four-part series that I can only assume covers the stories of the other characters in Evie's story. The film rights have already been snapped up by Paramount (wise move!) via Fake Empire and this promises to be an epic, Roaring-Twenties adventure with layers of darkness and occultism.

I stayed up way too late as I got deeper and deeper into this story. The world building and historical imagery are impeccable. After watching Ken Burns' documentary Prohibition earlier this year, I was totally onboard with the time period. At first I didn't like Evie's "pos-i-tute-ly" flapper slang, but as the story built into this maelstrom of intrigue and horror, it became so secondary that I just sat up turning page after page. The story reads like a movie, and I can't wait to see how it translates into film. It's one book-to-film that I'm not dreading!

I do wonder how this book will be received by teens. There's plenty of plot and lots of characters to keep the story going (and Evie is seventeen in the story), but I wonder how the (grisly!) murders and the time period will resonate. The connection I draw is that each time period has an expected "apocalypse" and this story is what apocalypse looked like in the Twenties. The fact that it is a time before a lot of modern technology makes it all the more scary. Beyond the family, there isn't a global community with whom to share common experiences. Local papers are the time period's Facebook status, if you will, and not knowing is a fear in and of itself.

The Diviners will be published in September by Little, Brown and Company Books for Young Readers. Libba, thank you for being amazing and signing my ARC at BookExpo. Paramount and Fake Empire, thank you for seeing the amazing movie opportunity in this book.

Ex libris and everything's jake,

Marissa

Two non-paranormal books that I really enjoyed.

 I recently finished two books that I really enjoyed. Sisters of Glass by Stephanie Hemphill was historical fiction and Tokyo Heist by Diana Renn was a mystery. Nary a ghoul in sight. I was happy to read some realistic books for myself and also to recommend to others who may be worn out from paranormal books or dystopias. I like those genres as much as the next person, but it's nice to read something different for a change!

Sisters of Glass snagged me with its beautiful cover, and then really snagged me with its subject matter-- glassblowing. For a long time it was my career ambition to be a glassblower. I took workshops and even interned for a glassblower in college. To be fair, the book is not just about glassblowing. It's also a story about family, love, and duty. Maria is the younger daughter of a glassblower, who has stipulated that she marry a nobleman. She'd rather work in the furnaces of the glass shop or sketch. Her older sister Giovanna is miffed that she was passed over for the betrothal, and Maria finds herself falling for a man she can't have.

The novel is written in non-rhyming verse, and most of it is quite lyrical and pretty. The atmosphere of Murano, the Venetian island where glass is produced, feels sort of mystical. The story follows a traditional arc and it was refreshing to read one point of view instead of many. As I was reading, I was concerned that Stephanie Hemphill would lose readers with the glassmaking terminology she uses, but behold! A glossary at the end. I'd recommend this to historical fiction fans and any teen interested in glassblowing (although I might've been the only one, and that was-- gulp-- fifteen years ago). For a different, much more complicated story set in France, try Daphne du Maurier's The Glass-Blowers.


Now, for something completely different: Tokyo Heist. This one got me from the art angle too-- it's about a stolen van Gogh painting. Violet arrives in Seattle to spend time with her dad. His employers have recently commissioned him to paint a mural in their office building in Japan. Unfortunately, they have also recently been burglarized and a van Gogh has gone missing. Violet goes to Japan with her dad so he can work on the mural and Violet tries to solve the mystery surrounding the painting and the gangsters who want it. This is a fast-paced mystery with international flavor.

Violet reads a lot of manga and is a budding artist herself, so at the same time her own story is going on, she's writing a manga story called Kimono Girl. I really liked the parallel stories of Violet and Kimono Girl. I know pretty much nothing about manga other than it's Japanese, but I still found it accessible in this story. There are Japanese words sprinkled throughout that can be figured out from context, and they are used purposefully. I really enjoyed this one.

Sisters of Glass was published under Random House's Knopf imprint in March of 2012 and is available now. Tokyo Heist was published under Penguin's Viking imprint in mid-June of 2012 and is also available now.

Ex libris,

Marissa