I received a galley for Rick Yancey's The 5th Wave from my library's book supplier. I was skeptical because I'm kind of tired of the "other" in YA books-- vampires, werewolves, and in this case, aliens. I just want to read about some actual humans, you know? However, I was pretty gripped by this book from the start because of the plausibility of the writing. If we were to be set upon by aliens, I think this is how it would go down. Also, Yancey assumes a very high level of alien intelligence, which I think is unique. I will try not to reveal any spoilers, so read on...
There have been four "waves" since the Others arrived-- loss of electricity, destruction of the coastal areas, plague, and the few remaining humans being hunted. Still alive in the fifth wave, Cassie Sullivan, a sixteen-year-old girl, carries an M-16 and shoots at anything. After being wounded by a "Silencer"-- basically an alien sniper-- she's discovered by dreamboat Evan and wakes up in his family's farmhouse. He says he'll help her find her young brother at the military base she assumes he's been taken to.
In a dual narrative, we learn what is going on at the military base through Ben, a former classmate of Cassie's. He's ended up at the base, being trained to take out the rest of the alien force. Descriptions of training and warfare are grim in this book since the "recruits" are about age 5 and up. It isn't clear how these kids will take out the aliens, but they're the last best hope for humanity.
Since I said I didn't want to spoil the ending, I will just say this-- I don't consider myself a sci-fi fan, but this was a gripping read. There are a lot of grey areas about who is good or bad, right or wrong. There are surprises. I bought this for the library but it immediately went out and is now on the New York Times bestseller list. It does require a sufficient suspension of disbelief, and I do have some qualms about some characterizations (specifically Evan, who is just too pretty), but I recommend it. Get it at your library if it's available.
Ex libris,
Marissa
where it is cozy and we talk about books, libraries, reading, and art
Showing posts with label arc. Show all posts
Showing posts with label arc. Show all posts
Saturday, June 22, 2013
Tuesday, July 17, 2012
The Diviners, OR, why Libba Bray is awesome
Libba Bray is astonishing. With the exception of her Gemma Doyle trilogy, her other books have been standalones that span all genres. Going Bovine, the only book I know of that combines mad cow disease and Don Quixote, won the Printz Award several years ago. And now, she writes her latest novel The Diviners.
It's the era of Prohibition and flappers, Ziegfeld girls and speakeasys. After a faux pas at home in Ohio, bubbly, "everything's jake" Evie O'Neill has arrived in New York to stay with her uncle Will. Will curates the Museum of American Folklore, Superstition, and the Occult. When a peculiar murder with apparent occult ties occurs, the police call upon Will to help solve the crime. And that's where the easy explanation ends.
Evie helps her uncle untangle the complicated threads of a story tying together religion, the occult, and a sacred covenant made years before. At the same time, we learn about other characters on the fringes of Evie's story: Memphis, a numbers runner; Jericho, Will's assistant at the museum; Theta, a Ziegfeld girl; and Sam, a petty thief. As Evie's story continues, it is clear that all these characters have ties with something bigger than themselves. The something is a looming thing of nightmares and evil
I can't even elaborate on this story anymore without serious spoilers, and I can't fully explain the "something." The ARC that I got at BookExpo is 578 pages, and this is the first in a four-part series that I can only assume covers the stories of the other characters in Evie's story. The film rights have already been snapped up by Paramount (wise move!) via Fake Empire and this promises to be an epic, Roaring-Twenties adventure with layers of darkness and occultism.
I stayed up way too late as I got deeper and deeper into this story. The world building and historical imagery are impeccable. After watching Ken Burns' documentary Prohibition earlier this year, I was totally onboard with the time period. At first I didn't like Evie's "pos-i-tute-ly" flapper slang, but as the story built into this maelstrom of intrigue and horror, it became so secondary that I just sat up turning page after page. The story reads like a movie, and I can't wait to see how it translates into film. It's one book-to-film that I'm not dreading!
I do wonder how this book will be received by teens. There's plenty of plot and lots of characters to keep the story going (and Evie is seventeen in the story), but I wonder how the (grisly!) murders and the time period will resonate. The connection I draw is that each time period has an expected "apocalypse" and this story is what apocalypse looked like in the Twenties. The fact that it is a time before a lot of modern technology makes it all the more scary. Beyond the family, there isn't a global community with whom to share common experiences. Local papers are the time period's Facebook status, if you will, and not knowing is a fear in and of itself.
The Diviners will be published in September by Little, Brown and Company Books for Young Readers. Libba, thank you for being amazing and signing my ARC at BookExpo. Paramount and Fake Empire, thank you for seeing the amazing movie opportunity in this book.
Ex libris and everything's jake,
Marissa
It's the era of Prohibition and flappers, Ziegfeld girls and speakeasys. After a faux pas at home in Ohio, bubbly, "everything's jake" Evie O'Neill has arrived in New York to stay with her uncle Will. Will curates the Museum of American Folklore, Superstition, and the Occult. When a peculiar murder with apparent occult ties occurs, the police call upon Will to help solve the crime. And that's where the easy explanation ends.
Evie helps her uncle untangle the complicated threads of a story tying together religion, the occult, and a sacred covenant made years before. At the same time, we learn about other characters on the fringes of Evie's story: Memphis, a numbers runner; Jericho, Will's assistant at the museum; Theta, a Ziegfeld girl; and Sam, a petty thief. As Evie's story continues, it is clear that all these characters have ties with something bigger than themselves. The something is a looming thing of nightmares and evil
I can't even elaborate on this story anymore without serious spoilers, and I can't fully explain the "something." The ARC that I got at BookExpo is 578 pages, and this is the first in a four-part series that I can only assume covers the stories of the other characters in Evie's story. The film rights have already been snapped up by Paramount (wise move!) via Fake Empire and this promises to be an epic, Roaring-Twenties adventure with layers of darkness and occultism.
I stayed up way too late as I got deeper and deeper into this story. The world building and historical imagery are impeccable. After watching Ken Burns' documentary Prohibition earlier this year, I was totally onboard with the time period. At first I didn't like Evie's "pos-i-tute-ly" flapper slang, but as the story built into this maelstrom of intrigue and horror, it became so secondary that I just sat up turning page after page. The story reads like a movie, and I can't wait to see how it translates into film. It's one book-to-film that I'm not dreading!
I do wonder how this book will be received by teens. There's plenty of plot and lots of characters to keep the story going (and Evie is seventeen in the story), but I wonder how the (grisly!) murders and the time period will resonate. The connection I draw is that each time period has an expected "apocalypse" and this story is what apocalypse looked like in the Twenties. The fact that it is a time before a lot of modern technology makes it all the more scary. Beyond the family, there isn't a global community with whom to share common experiences. Local papers are the time period's Facebook status, if you will, and not knowing is a fear in and of itself.
The Diviners will be published in September by Little, Brown and Company Books for Young Readers. Libba, thank you for being amazing and signing my ARC at BookExpo. Paramount and Fake Empire, thank you for seeing the amazing movie opportunity in this book.
Ex libris and everything's jake,
Marissa
Footnotes:
arc,
book expo,
books into films,
fake empire,
historical fiction,
horror,
libba bray,
little brown and company,
occult,
paramount,
review,
series,
teen
Tuesday, June 12, 2012
Reading out of genre
Horror has never been my genre, really. As a kid I was afraid of even pulling The Exorcist off the bookshelf in our library, and I tried Amityville Horror as a teenager but got so creeped out. I've read some Stephen King short horror stories, but even then I get the jibbilies (possessed trucks ominously circling a rest stop-- creepy!)
So, when I was sorting through some of the ARCs that my colleague brought back from BEA last week, I found myself strangely intrigued by Breed, which is, in fact, a horror novel. I started it that day (Thursday) and finished Sunday morning. I couldn't stop reading it because I had to know what would happen.
Before I give a synopsis, here are some tech specs, if you will: the book is published by Mullholland Books, a division of Little, Brown and Company. Their tagline is "you never know what's coming around the curve." That's exactly how I would describe this book.
Alex and Leslie have everything-- Alex is a successful lawyer, Leslie works at a publishing company, and they live a wealthy life in an old house that has been in Alex's family for years. (Un-spoiler: it's not a haunted house.) The only thing they don't have is a child, an heir to the family home. After many procedures, Leslie urges Alex to think about adoption, but he wants a child bred from his genetic material. The couple learn through the grapevine about a Slovenian doctor who is doing groundbreaking work in the field of fertility, so they go to visit him.
Leslie and Alex both receive a cocktail of genetic material drawn from a variety of sources and Leslie is almost instantly pregnant. She and Alex start exhibiting strange characteristics, though-- excess body hair, heightened sense of smell, and teeth that are just a little too big...and pointy.
Ten years later, their children start to notice the same weird things about their parents. Why do the children have to be locked in their rooms at night? Where do their pets keep disappearing to? They have to get out of the lovely home, now in disrepair with a basement of horrors. They try...but how can they escape? This book brings a whole new meaning to "My parents are going to kill me!"
There is a plenty left to the imagination as to what has happened in the intervening years. I like how Breed lets the reader fill in some of the terrifying blanks themselves. I also think the subject of infertility and gene therapy is a nice, timely twist. Should we be mixing cocktails of genes together, or let nature be? Interestingly, this article from Mental Floss showed up in my Twitter feed this week, and I felt the universe align a little bit.
So I read a horror novel! I had to find out what happened next. Thanks, Chase Novak and Mullholland Books, for the surprises around the curve. If you want to read an excerpt, you can find it at the book's website. You'll be able to read the whole thing in September, when it's published.
Ex libris,
Marissa
So, when I was sorting through some of the ARCs that my colleague brought back from BEA last week, I found myself strangely intrigued by Breed, which is, in fact, a horror novel. I started it that day (Thursday) and finished Sunday morning. I couldn't stop reading it because I had to know what would happen.
Before I give a synopsis, here are some tech specs, if you will: the book is published by Mullholland Books, a division of Little, Brown and Company. Their tagline is "you never know what's coming around the curve." That's exactly how I would describe this book.
Alex and Leslie have everything-- Alex is a successful lawyer, Leslie works at a publishing company, and they live a wealthy life in an old house that has been in Alex's family for years. (Un-spoiler: it's not a haunted house.) The only thing they don't have is a child, an heir to the family home. After many procedures, Leslie urges Alex to think about adoption, but he wants a child bred from his genetic material. The couple learn through the grapevine about a Slovenian doctor who is doing groundbreaking work in the field of fertility, so they go to visit him.
Leslie and Alex both receive a cocktail of genetic material drawn from a variety of sources and Leslie is almost instantly pregnant. She and Alex start exhibiting strange characteristics, though-- excess body hair, heightened sense of smell, and teeth that are just a little too big...and pointy.
Ten years later, their children start to notice the same weird things about their parents. Why do the children have to be locked in their rooms at night? Where do their pets keep disappearing to? They have to get out of the lovely home, now in disrepair with a basement of horrors. They try...but how can they escape? This book brings a whole new meaning to "My parents are going to kill me!"
There is a plenty left to the imagination as to what has happened in the intervening years. I like how Breed lets the reader fill in some of the terrifying blanks themselves. I also think the subject of infertility and gene therapy is a nice, timely twist. Should we be mixing cocktails of genes together, or let nature be? Interestingly, this article from Mental Floss showed up in my Twitter feed this week, and I felt the universe align a little bit.
So I read a horror novel! I had to find out what happened next. Thanks, Chase Novak and Mullholland Books, for the surprises around the curve. If you want to read an excerpt, you can find it at the book's website. You'll be able to read the whole thing in September, when it's published.
Ex libris,
Marissa
Footnotes:
arc,
chase novak,
horror,
little brown and company,
mullholland books,
review,
scott spencer
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