The Diviners, OR, why Libba Bray is awesome

Libba Bray is astonishing. With the exception of her Gemma Doyle trilogy, her other books have been standalones that span all genres. Going Bovine, the only book I know of that combines mad cow disease and Don Quixote, won the Printz Award several years ago. And now, she writes her latest novel The Diviners.


It's the era of Prohibition and flappers, Ziegfeld girls and speakeasys. After a faux pas at home in Ohio, bubbly, "everything's jake" Evie O'Neill has arrived in New York to stay with her uncle Will. Will curates the Museum of American Folklore, Superstition, and the Occult. When a peculiar murder with apparent occult ties occurs, the police call upon Will to help solve the crime. And that's where the easy explanation ends.

Evie helps her uncle untangle the complicated threads of a story tying together religion, the occult, and a sacred covenant made years before. At the same time, we learn about other characters on the fringes of Evie's story: Memphis, a numbers runner; Jericho, Will's assistant at the museum; Theta, a Ziegfeld girl; and Sam, a petty thief. As Evie's story continues, it is clear that all these characters have ties with something bigger than themselves. The something is a looming thing of nightmares and evil

I can't even elaborate on this story anymore without serious spoilers, and I can't fully explain the "something." The ARC that I got at BookExpo is 578 pages, and this is the first in a four-part series that I can only assume covers the stories of the other characters in Evie's story. The film rights have already been snapped up by Paramount (wise move!) via Fake Empire and this promises to be an epic, Roaring-Twenties adventure with layers of darkness and occultism.

I stayed up way too late as I got deeper and deeper into this story. The world building and historical imagery are impeccable. After watching Ken Burns' documentary Prohibition earlier this year, I was totally onboard with the time period. At first I didn't like Evie's "pos-i-tute-ly" flapper slang, but as the story built into this maelstrom of intrigue and horror, it became so secondary that I just sat up turning page after page. The story reads like a movie, and I can't wait to see how it translates into film. It's one book-to-film that I'm not dreading!

I do wonder how this book will be received by teens. There's plenty of plot and lots of characters to keep the story going (and Evie is seventeen in the story), but I wonder how the (grisly!) murders and the time period will resonate. The connection I draw is that each time period has an expected "apocalypse" and this story is what apocalypse looked like in the Twenties. The fact that it is a time before a lot of modern technology makes it all the more scary. Beyond the family, there isn't a global community with whom to share common experiences. Local papers are the time period's Facebook status, if you will, and not knowing is a fear in and of itself.

The Diviners will be published in September by Little, Brown and Company Books for Young Readers. Libba, thank you for being amazing and signing my ARC at BookExpo. Paramount and Fake Empire, thank you for seeing the amazing movie opportunity in this book.

Ex libris and everything's jake,

Marissa

The Girl Who Reads Scandinavian Noir.

I can't believe I haven't ever written a blog post about Scandinavian noir. So here's how it all started: I was in college and had to take my world literature requirement for my English major. I chose Global Detective Fiction a) because it fulfilled the requirement, b) I had a crush on the professor, and c) it sounded cool. Perfect, right? And it was.
In that class, in addition to books that took place in Italy (written by Donna Leon) and Africa (written by Alexander McCall-Smith), we read Henning Mankell's Sidetracked which is set in Sweden. I was hooked. It was so dark and multi-faceted that I had to read more. So I read more by Mankell, and then some Karin Fossum (Norway), Kjell Eriksson (Sweden again), and Arnaldur Indridason (Iceland). The whole genre is fascinating. First, it's COLD in the winter, which makes the hideous crimes mean more, at least to me, because it would seem that there would be less crime since people are inside trying not to freeze to death. If you are making that effort of killing someone, it better work and be worth the trouble. Second, the nights are long and dark, which is spooky. The countries are very isolated, especially Iceland which is just floating out there in the middle of the North Atlantic, so one could easily kill someone and get away on a boat, or toss a body into the sea. Finally, these are not vast countries, so there is a great sense of local color, food, and names that often end in -son or -dottir.
That brings me to Stieg Larsson. He wrote the wildly popular Millenium Trilogy consisting of The Girl With the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest. At first, I thought this was another author who jumped onto the bandwagon. But I was so wrong. I've only read Dragon Tattoo so far, but it was so exceedingly amazing and carefully crafted that I could not stop reading it. I then watched the Swedish movie of the book, starring Noomi Rapace, and I was clinging to my couch. I can't even describe the detail that Larsson has put in his books. Dragon Tattoo starts off slow with a lot of background, as most of the Scandinavian noir that I've read does. It is rather boring, to be honest. But then BAM! You're hooked into this complex web of awesome.
I read that Larsson intended the Millenium Trilogy to be ten books, but sadly he died suddenly in 2004 leaving us with only three. Also, there may possibly be a fourth book out there in the ether, but it is unclear if it is supposed to be fourth or fifth in the series. Larsson wasn't married, but he did have a longtime partner, but since he didn't leave a will, his estate goes to his father and brother under Swedish law. However, Larsson's partner Eva Gabrielson has the laptop with the fourth book but won't publish it unless she gets rights to Larsson's literary property. It's all very convoluted and mysterious. If you're intrigued, you can check out this website about Larsson and the whole series, characters, etc.
So, in summary, try some Scandinavian noir! I like Henning Mankell and Karin Fossum the most. Stieg Larsson is absolutely amazing and I hope the fourth book gets published someday. In the meantime, the Millenium Trilogy is intense, violent, and breathtaking and I recommend it. If you're not a book person, the books have been made into films in Sweden that are available in the US, and the US film industry is making them here into what I anticipate will be watered-down versions. Get the originals and watch them with the subtitles ON.

Enjoy the darkness.

Ex libris,

Marissa