Suspension of disbelief

I hadn't read any of D.J. MacHale's books until his latest, Sylo. MacHale is probably best known for the Pendragon series, of which there are about ten, plus a set of prequels. He takes up a lot of library real estate. Sylo is first in a series too, and having purchased it for the library, I decided to give it a try.

Sylo, published by an imprint of Penguin Books, is a sci-fi thriller set on an island in Maine. Tucker Pierce is an average kid, having moved to the island from Connecticut with his parents. After witnessing the death of a classmate and seeing a strange explosion in the sky, Tucker and his friend Quinn are disconcerted that their safe haven of Pemberwick Island is no longer so safe. When a strange military outfit named SYLO invades the island and quarantines the place, effectively cutting off Pemberwick from the outside world, Tucker must accept that nothing is as it seems.

Running parallel to the military occupation plot line is that of a mysterious substance called the Ruby, which gives anyone who uses it superhuman speed and strength. It is unclear if this is why the island is quarantined, but a shady character named Mr. Feit gives it to residents prior to the military occupation.

Tucker, Quinn, and another classmate Tori are quickly in the crosshairs of SYLO's commander, Granger. They must try to escape the island and expose SYLO since they believe the quarantine is bogus and there is something fishy going on.

I had mixed feelings about this book. On one hand I liked it a lot-- I spent most of last night turning pages to see what would happen. It has gripping moments. On the other hand, it was farfetched and just ok. The drug pusher, Mr. Feit, is a poorly created character and is clearly a warning "Don't do drugs, kids!" The escape scenes are decent, as is the boating terminology, but it still seems contrived. Tucker's sort-of-infatuation with Tori is a convenient plot device, but there is no meat. Most of the characters are stock-- the brainy friend, the pretty tourist girl, the wealthy jock, the cold soldier. I came across two usage errors (taught instead of taut and mantle instead of mantel) which pulled me out of the story.

All that being said, I would skim the next two series installments to see what happens. Despite its flaws, I am curious as to what happens next. I classify this book as middle grade, so grades 5 and up. Not fabulous, certainly not flawless, but definitely intriguing.

Ex libris,

Marissa

So realistic, I cried while stuck in traffic.

So here is some old news: If I Stay by Gayle Forman is a stunner. This book was originally released in 2009 by Dutton Children's, an imprint of Penguin. I listened to the audio version and finished it while stuck in bridge traffic headed to Cape Cod. I was such a soupy face afterwards, tears dribbling all over. I glanced around and everyone was in their cars, probably half irritated by the traffic and half "YAY CAPE COD!" And I looked like I had just had a very sad experience. Well, I did.

SPOILER ALERT. You find out the gist of the story very early on, but if you want to be surprised, don't read further. Although I imagine this book has already been widely read, I just didn't get around to it until now.

Mia is a promising cello player, on the cusp of getting into Julliard. Her punk-rock-turned-teacher-dad, tough-but-sweet mom, and ebullient little brother are all excited at the idea of a rare snow day and after breakfast, they go for a drive.

They get in a horrific accident. Mia has an out-of-body experience and sees her parents, dead and broken, on the pavement. (There is a reference to Mia seeing "what looked like cauliflower" on the pavement and realizing it is parts of her father's brain. Really.) It is not immediately clear what happened to Mia's brother. Mia realizes she's out of her body and goes with herself to the hospital.

Interspersed in the story are bits of Mia looking back on her life. For example, her friend Kim comes to visit her in the hospital and we get to learn how they became friends. However, a huge focus of Mia's remembrances are that of her musician boyfriend, Adam. Their whole story is beautiful but not saccharine.

The point of the story is that Mia must decide if she will stay and live out a very different life, or if she will die. It is poignant and sad and she has to weigh some tough choices...Adam and her friends and extended family versus going gently into that good night.

I like this story because it is realistic and mostly plausible, and it shows a family that is together, a strong network of family members and friends, and characters you can root for. I am looking forward to listening to the sequel and reading more of Forman's work. If I Stay is also going to be made into a movie.

Highly recommended, but have some tissues nearby, even in the car.

Ex libris,

Marissa

Putting the "m" and "e" in committee!

A few weeks ago, I applied to be on the Nutmeg nominating committee for 2015. (I KNOW-- already?) For those of you not in the fine Nutmeg State, the Nutmeg award goes like this: the nominating committee of librarians and reading teachers read a LOT of books to be considered for the nomination. Then those books are narrowed down to ten by the committee. The noms are kept TOP SECRET until their announcement. Then kids and teens across the state read the Nutmeg noms and they can choose their favorite. The award itself is given to the book that gets the most votes from kids across the state.
I grew up with the Nutmeg award, and now that I am finished with grad school, I thought I'd go for the committee. I applied for the teen committee (grades 7 and 8) and the high school committee (grades 9-12). I found out on Thursday that I got picked to be on the teen committee! (I got some disappointing news on Wednesday, so this was a welcome invitation).
I work with children and teens, so the age level I'm reading for is quite good for any reader's advisory I may do at work since I am the "bridge" between the children's and teen departments. I already got a list of eight books (of which I already finished one-- BAM!) to read before the first meeting in February. These books are not necessarily ones I'd read myself (I tend to read YA and adult books) so I will be exposed to something new, plus I'll get to meet librarians and reading teachers and other rad bookish folks from across the state. The downside is I have to read something like 80 books in several months (and I average 50-70 a year) and I will have to set aside all other books in order to get through the pile. I apologize in advance to you, dear reader...and Netgalley, where I have galleys waiting for me. I can't really review the books I'm reading since ten of them will be the TOP SECRET nominees, so I will have to figure something out for the blog.

I will post a list of my top books from 2012 soon, so stay tuned for that at least...and I will blog about awesome library programs or something while I do the Nutmeg thing.

Ex libris,

Marissa

Every Day was new.

I hope I mentioned somewhere in this blog that I love David Levithan. I finished his latest, Every Day, weeks ago but it was late and I didn't get to write about it until now. I made some notes immediately after reading it. Here they are: "Stunning and heartbreaking. Unfair. Mind existing without body. Time Traveler's Wife-ish. Cried. Cried after I already cried. Doomed to wander forever? Wanted to make it last. Read the last third of the ARC in one go."
Every Day is the story of A, who wakes up in a different body every day of his life. It's clear that (he? she?) is used to this as it has been happening since (he? she?) was born. I'll refer to A as "he" from now on because he's a he when we first meet him. A wakes up in the body of a guy named Justin and spends the day with his girlfriend Rihannon. A is connected to Rihannon but is never the same person twice, so how can he make it work? Levithan explores the idea of being connected on a cerebral level, no matter what. A wakes up in bodies of those similar in age to himself, but sometimes he's a girl or a boy, popular or a loner, pretty or ugly. He's able to "access" key information about who he is that day in order to make it through, but he has no home for his soul. After meeting Rihannon, though, A wants to get to know her. He does all he can to get back to her (he wakes up in roughly the same geographical area as long as the body he's in doesn't travel). He meets her in many of his different forms in hopes that their connection can transcend the physical. But will Rihannon feel the same?

It blew my mind. Go read it.

Ex libris,

Marissa

Woohoo for Katie Woo!

Katie Woo! Her name sounds like an exclamation! Katie Woo Rules the School, released yesterday from Capstone Young Readers, is refreshing. Maybe it's because I read a lot of YA books, but it was nice to step back into a linear storyline with a handful of characters, headed by the bespectacled first grader Katie Woo. This book is actually a collection of several shorter stories, almost episodes. I like that the stories address minor problems without a lot of fanfare and not to much adult interference. For example, Katie is picked on by the class bully in one of the stories. She handles it in her own way and resolves the problem-- no parent-teacher conference or class assembly on bullying needed. She's empowered, for a first grader.

Written by Fran Manushkin and illustrated by Tammie Lyon, this early chapter book for kindergarteners and up is a nice new entry in this field which has been dominated by another bespectacled girl, Junie B. Jones, for some time now. Simultaneously available is Katie Woo and Friends and twenty-four Katie Woo paperbacks (as opposed to collections like this one). If you've burned through Junie B. but aren't quite ready for Ivy and Bean or (my favorite) Ramona, Katie Woo may be your go-to girl.

So.much.fun.

Ex libris,

Marissa

Once I read a book and it was a gas...its title was Throne of Glass

I couldn't help referencing Blondie's "Heart of Glass" in the title of this post. Every time I've opened up the digital galley to read Throne of Glass, those catchy lines (the only ones I know) have skittered across my brain. "Da dada dada, and it was a gas...da dada dada, heart of glass."

Anyway, Throne of Glass was a gas-- an exciting fantasy with a beautiful and deadly heroine. Throw in a competition, a prince, and a unknown evil, and you've got a great escapist read.

Eighteen-year-old Celaena Sardothien was her country Adarlan's most notorious assassin, until she got caught. Forced into slavery in a salt mine, she refuses to be broken. She remains as cunning and deadly as ever. When the Crown Prince of Adarlan arrives at the mine, she is surprised, especially when he reveals his intention. Celaena is to compete against other villains and soldiers in a competition. If she wins, she will be named King's Champion and be freed after a period of servitude. If she loses, it is back to the mine and certain death.

Wanting her freedom, Celeana agrees-- grudgingly-- to the deal. She is transported to the Glass Castle where she will train and compete under an assumed name. Despite her unbreakable spirit and prickly demeanor, she has caught the Crown Prince's eye and the eye of her trainer, the Captain of the Royal Guard. As training begins, a series of murders alarms castle residents. It appears to be an otherworldly force, but that is impossible because magic has disappeared from the kingdom. Or has it? Can Celaena figure out the force behind the murders and win the competition?

I was skeptical about this story, to be honest. Pretty girl assassin? Handsome prince? I was concerned that Celaena was going to be too frothy and the prince was going to be a doofus. But aha! I was wrong! What I liked a lot about Celaena is that she has an edge to her. She may look awesome in a ballgown, but you best make sure she doesn't have a knife strapped to her thigh. And the prince, Dorian, is handsome but has character to back it up. Their dialogue is well-crafted and snarky. I loved it.

Celaena is not transformed overnight. I tip my hat to Sarah Maas, the author, for developing all of the characters in this book in measured steps. All the parts of this book unfold in a wonderful way, and it is clearly first in a series that shows promise.

The blurb on Netgalley calls Throne of Glass "the teen girl version of Game of Thrones." I have only read the first in that series, but I like to think that Arya Stark would grow up to be like Celaena Sardothien-- crafty and quick with a sword.

This is a debut novel by Sarah Maas, but she's been writing this epic online for years. Congratulations on getting this book in print, Sarah, and I look forward to the next in the series! Throne of Glass will be published on August 7, 2012 by Bloomsbury Children's Books, a division of Bloomsbury Publishing. The digital galley was provided through Netgalley.

Ex libris,

Marissa

Two non-paranormal books that I really enjoyed.

 I recently finished two books that I really enjoyed. Sisters of Glass by Stephanie Hemphill was historical fiction and Tokyo Heist by Diana Renn was a mystery. Nary a ghoul in sight. I was happy to read some realistic books for myself and also to recommend to others who may be worn out from paranormal books or dystopias. I like those genres as much as the next person, but it's nice to read something different for a change!

Sisters of Glass snagged me with its beautiful cover, and then really snagged me with its subject matter-- glassblowing. For a long time it was my career ambition to be a glassblower. I took workshops and even interned for a glassblower in college. To be fair, the book is not just about glassblowing. It's also a story about family, love, and duty. Maria is the younger daughter of a glassblower, who has stipulated that she marry a nobleman. She'd rather work in the furnaces of the glass shop or sketch. Her older sister Giovanna is miffed that she was passed over for the betrothal, and Maria finds herself falling for a man she can't have.

The novel is written in non-rhyming verse, and most of it is quite lyrical and pretty. The atmosphere of Murano, the Venetian island where glass is produced, feels sort of mystical. The story follows a traditional arc and it was refreshing to read one point of view instead of many. As I was reading, I was concerned that Stephanie Hemphill would lose readers with the glassmaking terminology she uses, but behold! A glossary at the end. I'd recommend this to historical fiction fans and any teen interested in glassblowing (although I might've been the only one, and that was-- gulp-- fifteen years ago). For a different, much more complicated story set in France, try Daphne du Maurier's The Glass-Blowers.


Now, for something completely different: Tokyo Heist. This one got me from the art angle too-- it's about a stolen van Gogh painting. Violet arrives in Seattle to spend time with her dad. His employers have recently commissioned him to paint a mural in their office building in Japan. Unfortunately, they have also recently been burglarized and a van Gogh has gone missing. Violet goes to Japan with her dad so he can work on the mural and Violet tries to solve the mystery surrounding the painting and the gangsters who want it. This is a fast-paced mystery with international flavor.

Violet reads a lot of manga and is a budding artist herself, so at the same time her own story is going on, she's writing a manga story called Kimono Girl. I really liked the parallel stories of Violet and Kimono Girl. I know pretty much nothing about manga other than it's Japanese, but I still found it accessible in this story. There are Japanese words sprinkled throughout that can be figured out from context, and they are used purposefully. I really enjoyed this one.

Sisters of Glass was published under Random House's Knopf imprint in March of 2012 and is available now. Tokyo Heist was published under Penguin's Viking imprint in mid-June of 2012 and is also available now.

Ex libris,

Marissa

The Girl Who Reads Scandinavian Noir.

I can't believe I haven't ever written a blog post about Scandinavian noir. So here's how it all started: I was in college and had to take my world literature requirement for my English major. I chose Global Detective Fiction a) because it fulfilled the requirement, b) I had a crush on the professor, and c) it sounded cool. Perfect, right? And it was.
In that class, in addition to books that took place in Italy (written by Donna Leon) and Africa (written by Alexander McCall-Smith), we read Henning Mankell's Sidetracked which is set in Sweden. I was hooked. It was so dark and multi-faceted that I had to read more. So I read more by Mankell, and then some Karin Fossum (Norway), Kjell Eriksson (Sweden again), and Arnaldur Indridason (Iceland). The whole genre is fascinating. First, it's COLD in the winter, which makes the hideous crimes mean more, at least to me, because it would seem that there would be less crime since people are inside trying not to freeze to death. If you are making that effort of killing someone, it better work and be worth the trouble. Second, the nights are long and dark, which is spooky. The countries are very isolated, especially Iceland which is just floating out there in the middle of the North Atlantic, so one could easily kill someone and get away on a boat, or toss a body into the sea. Finally, these are not vast countries, so there is a great sense of local color, food, and names that often end in -son or -dottir.
That brings me to Stieg Larsson. He wrote the wildly popular Millenium Trilogy consisting of The Girl With the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornet's Nest. At first, I thought this was another author who jumped onto the bandwagon. But I was so wrong. I've only read Dragon Tattoo so far, but it was so exceedingly amazing and carefully crafted that I could not stop reading it. I then watched the Swedish movie of the book, starring Noomi Rapace, and I was clinging to my couch. I can't even describe the detail that Larsson has put in his books. Dragon Tattoo starts off slow with a lot of background, as most of the Scandinavian noir that I've read does. It is rather boring, to be honest. But then BAM! You're hooked into this complex web of awesome.
I read that Larsson intended the Millenium Trilogy to be ten books, but sadly he died suddenly in 2004 leaving us with only three. Also, there may possibly be a fourth book out there in the ether, but it is unclear if it is supposed to be fourth or fifth in the series. Larsson wasn't married, but he did have a longtime partner, but since he didn't leave a will, his estate goes to his father and brother under Swedish law. However, Larsson's partner Eva Gabrielson has the laptop with the fourth book but won't publish it unless she gets rights to Larsson's literary property. It's all very convoluted and mysterious. If you're intrigued, you can check out this website about Larsson and the whole series, characters, etc.
So, in summary, try some Scandinavian noir! I like Henning Mankell and Karin Fossum the most. Stieg Larsson is absolutely amazing and I hope the fourth book gets published someday. In the meantime, the Millenium Trilogy is intense, violent, and breathtaking and I recommend it. If you're not a book person, the books have been made into films in Sweden that are available in the US, and the US film industry is making them here into what I anticipate will be watered-down versions. Get the originals and watch them with the subtitles ON.

Enjoy the darkness.

Ex libris,

Marissa

In which I profusely apologize for blog neglect and name some MUST READS.

Dear blog, I am sorry for neglecting you. I will not make excuses for my behavior. Just know that I am sorry.

I read 76 books in 2009, and now, almost halfway through 2010, I'm up to around 30. Here's the best so far, January through May.

1. Going Bovine by Libba Bray. This book won the Printz award this year, and rightfully so! I laughed, cried, sang Man of La Mancha, and gained new respect for yard gnomes. Libba talks about the book here.
2. The Hunger Games by Suzanne Collins. Teens fight to the death in a gigantic arena. Dystopia, scifi, romance all in one, plus it's a trilogy, so the amazingness is not confined to one book! The third in the trilogy, Mockingjay, comes out in August. Kudos to Suzanne for not drawing this series out longer than it needs to be.
3. Little Brother by Cory Doctorow. Another YA dystopia novel. Actually, this whole list is YA because that's one of the courses I took this past semester, and YA literature is AMAZING right now. In this one, there is a terrorist attack and San Francisco becomes a police state. Marcus, a tech-saavy teenager, has to bring down the Department of Homeland Security. There is a lot of tech-speak in here, but it is fascinating. Cory Doctorow allows his book to be downloaded for free and this guy Bill Clementson has created a hyperlinked version of the bibliography which you will appreciate once you finish the book!
4. Will Grayson, Will Grayson by John Green and David Levithan. Two of the greatest YA authors + two boys named Will Grayson + a chance meeting = GOLD. I so don't want to give anything away, so I won't, but go read this nownownow.
5. Gentlemen by Michael Northrop. I feel that this book has flown a bit under the radar, but it's definitely one of the best I've read so far this year. What would you do if you thought your teacher had murdered your best friend? The three protagonists of this book suspect their English teacher of kidnapping their friend and stuffing his body in a barrel after the teacher starts acting strangely toward them. The power of suggestion looms large in this mystery. A great read.

Is that the what?

I just finished listening to Dave Eggers' What is the What yesterday. It has always intrigued me when I've seen it in the library-- the title and the cover. I decided the fastest why I'd get through it would be to listen to it. It is amazing. I admit I didn't know much about the Lost Boys of Sudan, nor do I really understand the conflict in the region. But it's not necessary to enjoy this book. Valentino's trek to Ethiopia and then Kenya is sad but compelling. His way of referring to people (TV Boy, Quiet Baby, Christian Neighbors) is so simple yet logical. While the action of the story goes on, Valentino describes his time fleeing his home in Sudan. It is basically one large flashback grounded in his life in Atlanta where he is not really known. He tells his story so we know where he comes from. He also addresses people indirectly to tell his story ("I was like you, TV Boy...) As usual, I don't want to go too much into the book because I feel like it should be experienced without my personal slant on it. I loved it, though, and I didn't think I would. If you know nothing about the conflicts in Sudan, fear not, Blog Reader. Stripped down, it is a bildungsroman (thank you 11th grade English teacher Ms. Smith). However, Valentino's coming of age is a much longer path (literally) than any you have ever heard of and, while full of hardship, is ultimately quite triumphant. I loved how the book ended...I will not reveal, but it gave me a real sense of perseverance. Also, it ended logically, not tied up in a neat little bow.

Dion Graham is the audiobook's narrator and brings the book to life so much that I felt that this wasn't a book I was listening to, it was someone telling me a story directly. As if it was just told to me. Graham is in "The Wire," which I don't watch but I hear is really good.

Valentino Achak Deng, the Sudanese refugee who is the book's protagonist, is a real person. The book is billed as a novel, but it is based on Valentino's life. He runs a foundation called the Valentino Achak Deng Foundation that rebuilds Sudanese communities that have been decimated by the war.

A great read or listen! One of my top for the year so far, I think.

Ex libris,

Marissa

I'm Nobody, who are you?

I finished Neil Gaiman's The Graveyard Book this week, and it was brilliant. It read beautifully and every piece worked. I work with a woman who is a big Gaiman fan, and there was a great article about him in School Library Journal recently, so when we finally got our copies in and one came up on hold for me, I dove in. Gaiman's writing is so subtle that you 1. forget you're reading a children's book and 2. find it perfectly normal that a boy grows up in a graveyard. And the illustrations by Dave McKean are simple and stunning. I recommend it! Also, Gaiman just won the Newbery Award for this book and posted the tweet heard 'round the world when he found out that he won. Awesome.

Ex libris,

Marissa

First book of '09

So I haven't done either of the resolutions I said I would in my last post. But I did finish my first book for 2009, Chris Bohjalian's The Double Bind. I listened to it, actually, and I was about to finish it on Saturday on my drive home, and I had to drive around the neighborhood and finally just park in the driveway and listen because I wasn't going to wait two days to finish it! It was recommended by my big sister, and it blew me out of the water. Clicking on this link will take you to Bohjalian's website and a blurb about the book. Honestly, reading the blurb doesn't do the book justice. It is so intricate and multi-layered and excellent. Go to your public library and get it!

Ex libris,

Marissa