Back to the bindery.

Before I left my job in Connecticut, I promised a colleague I'd make a guestbook for her daughter's wedding. Behold said book. It's been quite awhile since I pulled out my bookbinding stuff, but it felt really good to get back to the bindery. Huzzah! You like? I'm pretty pleased with how it came out, although it was a bit tricky with the humidity we were enduring. Anyway, now that I have all my tools out, I might as well keep going, right?

Ex libris,

Marissa

Birthday book.

This is the second year I've bought a book for the library I work at. This year, I chose Playing With Books by Jason Thompson. The book is full of great ideas for using old books. We've already used the paperback postcards tutorial for a drop-in teen craft at my library, and we're going to be using the kusudama flowers tutorial next week. In addition, Thompson is the proprietor of Rag & Bone Bindery, a bindery that creates gorgeous albums and journals. I wanted to work for Rag & Bone after college, although there wasn't an opening and it was a pipe dream! I bought my sister one of their paper page albums after my niece was born, and it's now the only thing she ever asks for.

In summary, giving a gift on your birthday is good karma, as is finding new uses for old books. And if you need a new book, try Rag & Bone.

Ex libris,

Marissa

The Sketchbook Project

First things first-- done with my fall semester! It's such a relief. So now I need to get started on the Sketchbook Project!

The Sketchbook Project is run through a very very cool group called Art House Co-op. The project works like this: After I signed up, I received my theme for the sketchbook. Then I received the sketchbook in the mail. It has a barcode on it and a book pocket. The theme is also printed next to the barcode. I have to complete the book and send it back, and it will be in several exhibitions. Then it will be in a permanent library of sketchbooks and the barcode will be linked into a database! It's the best of both worlds for me-- libraries and art. Full deets are here, but the deadline to sign up is long gone (sorry).

The themes are randomly assigned out of thirty possible themes. My theme is how to save the world. I have tentatively titled it "Live Simply/Simply Live" because I feel like everything is way too complicated these days. The world would be a better, cleaner, and more peaceful place if we just simplified things. I want to incorporate the Shaker song "Simple Gifts" into my piece as well.

What do you think? Any ideas on how to save the world? Once I get my project going, I'll post photos in my Art House profile. I can use it as an online portfolio, as well, which is super cool.

Phewwww, I really need to get back into art. I hope this is a great jumping off point.

Ex libris,

Marissa

Waiting game

So I registered on 1001 Journals for Journal 3031 out of Maine. The theme is "Look what I found!" I find all sorts of stuff in the library, so I'm excited to add my finds to this journal. Hopefully this will revive me a little bit. Now I must wait.

Ex libris,

Marissa

Bookmaking attention

Last week at work I gave out two business cards. That's epic. The first one was to a library patron who had work in the library's current art exhibit. I bought a piece of his and he came to check out his books and I told him that I was the buyer. Then I pointed out my pieces in the show (both within sight of the circulation desk) and he asked for my card.

The second instance was the next day. I was walking from children's to the circ desk and a woman was looking at one of my books and we got into a long conversation about bookmaking. Apparently her daughter is a bookmaking instructor and we chatted about how I got started and how her daughter went to North Bennet Street School and how I have an Etsy shop and it was awesome. And I gave her my card.

So now I must make things for my shop tout de suite.

Ex libris,

Marissa

Finding the creative spirit...again.

I have been in such a creative rut lately. I haven't made a book in I can't tell you how long. Also, my studio space is all put away in preparation for the baby shower we're having for my sister over Labor Day weekend, so I don't have anything visually stimulating to set me off.

I feel like I have a lot of stuff to work with but I'm afraid of ruining something and not making it "cool" enough. For example, I have a packet of letters I bought at the Clignacourt flea market in Paris in 2004, but if I use them I won't have them any longer and what if I make something from them that turns out awful? Silly, I know, but I can't shake the creative apprehension.

This book Artist's Journals and Sketchbooks is pretty awesome and has lots of image transfer ideas and ways to be spontaneous. I think I am overthinking things too much in my desire for precision. Also, I don't have the bookmaking drive that I once had. I have fallen into the trap of yarn. Even though I love knitting and crocheting, I feel like I've lost a part of myself since I haven't made a book in awhile. And since it's been awhile, part of me feels like I might as well give it up because I won't ever get back the mad skillz I once had.

Altered Books, Collaborative Journals, and Other Adventures in Bookmaking is a great resource too. My former art professor Maryjean Viano Crowe is featured in it, and I always get jazzed by looking at her work. She basically taught me everything I know about bookmaking. It is because of her that I got to intern at The Center for Book Arts in New York and I've been in a number of exhibitions.

I think I may have the cure for my creativity ailment, however: 1001 Journals. I was walking over to Starbucks the other day and I saw a bumper sticker for 1000 Journals, and when I went to the website it redirected me. How cool is this website? It is a bunch of collaborative journals! Two years ago I tried to get a round robin book going among some friends, but it was dead in the water and I still don't have the book back. I think I may register on 1001 Journals and start collaborating with strangers because other people always have the coolest techniques. Then I can do a little work at a time and hopefully put my creative spirit back together. And I'll be able to work without pulling out all my supplies, and I'll have to be spontaneous because I'll have to send the book along to the next person.

I'll let you know what happens.

Ex libris,

Marissa