Once I read a book and it was a gas...its title was Throne of Glass

I couldn't help referencing Blondie's "Heart of Glass" in the title of this post. Every time I've opened up the digital galley to read Throne of Glass, those catchy lines (the only ones I know) have skittered across my brain. "Da dada dada, and it was a gas...da dada dada, heart of glass."

Anyway, Throne of Glass was a gas-- an exciting fantasy with a beautiful and deadly heroine. Throw in a competition, a prince, and a unknown evil, and you've got a great escapist read.

Eighteen-year-old Celaena Sardothien was her country Adarlan's most notorious assassin, until she got caught. Forced into slavery in a salt mine, she refuses to be broken. She remains as cunning and deadly as ever. When the Crown Prince of Adarlan arrives at the mine, she is surprised, especially when he reveals his intention. Celaena is to compete against other villains and soldiers in a competition. If she wins, she will be named King's Champion and be freed after a period of servitude. If she loses, it is back to the mine and certain death.

Wanting her freedom, Celeana agrees-- grudgingly-- to the deal. She is transported to the Glass Castle where she will train and compete under an assumed name. Despite her unbreakable spirit and prickly demeanor, she has caught the Crown Prince's eye and the eye of her trainer, the Captain of the Royal Guard. As training begins, a series of murders alarms castle residents. It appears to be an otherworldly force, but that is impossible because magic has disappeared from the kingdom. Or has it? Can Celaena figure out the force behind the murders and win the competition?

I was skeptical about this story, to be honest. Pretty girl assassin? Handsome prince? I was concerned that Celaena was going to be too frothy and the prince was going to be a doofus. But aha! I was wrong! What I liked a lot about Celaena is that she has an edge to her. She may look awesome in a ballgown, but you best make sure she doesn't have a knife strapped to her thigh. And the prince, Dorian, is handsome but has character to back it up. Their dialogue is well-crafted and snarky. I loved it.

Celaena is not transformed overnight. I tip my hat to Sarah Maas, the author, for developing all of the characters in this book in measured steps. All the parts of this book unfold in a wonderful way, and it is clearly first in a series that shows promise.

The blurb on Netgalley calls Throne of Glass "the teen girl version of Game of Thrones." I have only read the first in that series, but I like to think that Arya Stark would grow up to be like Celaena Sardothien-- crafty and quick with a sword.

This is a debut novel by Sarah Maas, but she's been writing this epic online for years. Congratulations on getting this book in print, Sarah, and I look forward to the next in the series! Throne of Glass will be published on August 7, 2012 by Bloomsbury Children's Books, a division of Bloomsbury Publishing. The digital galley was provided through Netgalley.

Ex libris,

Marissa

"Trash" into treasure

Junk-Box Jewelry is a way to justify saving stuff. I love saving stuff. I have old watch faces, extra buttons, and more bits of yarn than I know what to do with. I took a wire working course in January, so I was looking forward to see Sarah Drew's take on DIY jewelry.

This book is marketed toward teens who are beginner or intermediate jewelry makers. I would lean more toward intermediate because some of these projects seem pretty involved. This is definitely a plan-before-you-make book. I love the idea of using "junk" to make new things, but these projects require jewelry wire, clasps, and tools. Bead stringing this isn't. Some projects are easier, but I think there are more intermediate projects than beginner in this book.

I like a lot of the projects Sarah Drew shows, especially the "Beach Finds" chapter with sea glass, shells, and bits of plastic. Next time I go to Cape Cod, my eyes will be scanning the sand!

The projects are well-illustrated and clearly explained, which is much appreciated. However, some of the "teen language" Drew uses feels a little forced. When describing lobster clasps: "No, they don't taste good dipped in butter..." On how to find supplies: "Tell your folks you want to organize or clean up and you'll earn serious brownie points." It sounds intentionally trendy. Luckily, as the book continues, this "omg totally awesome" tone wanes, or maybe I just got used to it. It doesn't affect the instructions, which is good.

Hats off to Drew for indicating that an adult's help might be needed when it comes to using a Dremel tool. I would suggest a similar note in the "Selling Your Work" section in the back. Etsy and eBay are great resources, but a bank account has to be connected to PayPal to purchase items or receive payment.

This is a good choice for intermediate-level teen crafters who want to branch out from using store-bought supplies. This book was received for review through Netgalley. It was published by Zest Books on June 27, 2012 and is available for purchase.

Ex libris,

Marissa

Two non-paranormal books that I really enjoyed.

 I recently finished two books that I really enjoyed. Sisters of Glass by Stephanie Hemphill was historical fiction and Tokyo Heist by Diana Renn was a mystery. Nary a ghoul in sight. I was happy to read some realistic books for myself and also to recommend to others who may be worn out from paranormal books or dystopias. I like those genres as much as the next person, but it's nice to read something different for a change!

Sisters of Glass snagged me with its beautiful cover, and then really snagged me with its subject matter-- glassblowing. For a long time it was my career ambition to be a glassblower. I took workshops and even interned for a glassblower in college. To be fair, the book is not just about glassblowing. It's also a story about family, love, and duty. Maria is the younger daughter of a glassblower, who has stipulated that she marry a nobleman. She'd rather work in the furnaces of the glass shop or sketch. Her older sister Giovanna is miffed that she was passed over for the betrothal, and Maria finds herself falling for a man she can't have.

The novel is written in non-rhyming verse, and most of it is quite lyrical and pretty. The atmosphere of Murano, the Venetian island where glass is produced, feels sort of mystical. The story follows a traditional arc and it was refreshing to read one point of view instead of many. As I was reading, I was concerned that Stephanie Hemphill would lose readers with the glassmaking terminology she uses, but behold! A glossary at the end. I'd recommend this to historical fiction fans and any teen interested in glassblowing (although I might've been the only one, and that was-- gulp-- fifteen years ago). For a different, much more complicated story set in France, try Daphne du Maurier's The Glass-Blowers.


Now, for something completely different: Tokyo Heist. This one got me from the art angle too-- it's about a stolen van Gogh painting. Violet arrives in Seattle to spend time with her dad. His employers have recently commissioned him to paint a mural in their office building in Japan. Unfortunately, they have also recently been burglarized and a van Gogh has gone missing. Violet goes to Japan with her dad so he can work on the mural and Violet tries to solve the mystery surrounding the painting and the gangsters who want it. This is a fast-paced mystery with international flavor.

Violet reads a lot of manga and is a budding artist herself, so at the same time her own story is going on, she's writing a manga story called Kimono Girl. I really liked the parallel stories of Violet and Kimono Girl. I know pretty much nothing about manga other than it's Japanese, but I still found it accessible in this story. There are Japanese words sprinkled throughout that can be figured out from context, and they are used purposefully. I really enjoyed this one.

Sisters of Glass was published under Random House's Knopf imprint in March of 2012 and is available now. Tokyo Heist was published under Penguin's Viking imprint in mid-June of 2012 and is also available now.

Ex libris,

Marissa

Whimsy!

Nick and Maxine move into a new apartment with their parents. When they spot an old-fashioned house out the window, they have to visit. There they find Mrs. Noodlekugel, a kindly old woman with a talking cat, friendly mice, and superior baking skills. This is the whimsical premise to Daniel Pinkwater's Mrs. Noodlekugel.


This story is cheerful and sweet, evoking memories of other children's classics like Amelia Bedelia, Mrs. Piggle-Wiggle, and even a little Hansel and Gretel minus the witchy component. The description of her house reminded me of Miss Honey's house in Roald Dahl's Matilda. Overall, this is a warm almost-fairytale. Nick and Maxine are sneaky only in that they go to visit Mrs. Noodlekugel when they're told not to and their parents exist in the background of the story. It's all about the magical world Mrs. Noodlekugel inhabits.

The dialogue in this story, if read aloud, sounds very stunted and weird: "She is nice," Maxine said. "We know she is nice." It's not the meatiest, most scintillating conversation. That being said, this is a beginning chapter book for early readers, and the repetition is useful. Read the same word enough times and you will learn it!

I love the illustrations drawn by Adam Stower. Although I felt the book could have ended less abruptly, Mrs. Noodlekugel and Four Blind Mice is slated for 2013. I'd give this to kids who are beyond Biscuit but still not quite ready for longer books.

This book was published by Candlewick Press and is available now.

Ex libris,

Marissa

A search for identity

You know the phrase "You've got a face for radio?" That's how Gabe feels about himself in Beautiful Music for Ugly Children. Gabe has a weekly late night radio show on a community station and develops quite a following. However, he is an outcast at school, because at school he's Elizabeth, a female-to-male transgender teenager. Gabe is struggling to find his identity and share it with others. His parents are not the most supportive, but luckily his friend Paige and next-door neighbor John are by his side.

As Gabe's senior year of high school winds down, he looks toward his future as a male. At the same time, some of his classmates and fans are making a connection that he is really Elizabeth, that "lesbo chick" from school. What happens when Gabe is confronted by peers who see him as an abomination?

When I read the description of this book on Netgalley, I wondered how the author could make Gabe's character relatable to non-transgender people. Instead of making the book all about Gabe's gender identity, Kirstin Cronn-Mills includes themes that everyone can relate to: being a teenager, conflicts with parents, trying to figure out "what's next," and how to find one's voice. I felt for Gabe because it's hard enough to go through all the regular teenage "stuff" without having to face the potential backlash from others for being transgendered. I felt that Gabe was authentic and likable and I liked how the different story lines came together but didn't tie up neatly, because when does life end up neatly?

The musical references in this book are amazing. Gabe is a total music nerd, and his neighbor John is even more so. I think the overarching theme of music is great, but I don't know if potential readers will identify with the idea of having a radio show. Do teenagers still listen to the radio? With MP3s and satellite radio pervasive, I hope that "community radio" is still relatable.

I think this book will appeal to teens facing gender transitions of their own, but I would also give it to anyone who is trying to figure out their identity. Honestly, I don't know how well it will circulate at the library, but I think it is important to have on the shelf. I also applaud Ms. Cronn-Mills for including resources and support groups in the back matter of her book.

This month's School Library Journal has a focus on serving LGBTQ teens with an extensive list of books, and I think Beautiful Music for Ugly Children fits neatly on it.

This book is being published by Flux Books in October.

Ex libris,

Marissa